LADY LIKE
Lady Like is a striking sculptural exploration of the deeply ingrained taboos surrounding female pleasure, desire, and bodily autonomy.
Through the evocative imagery of a hand delicately yet decisively holding an open orange - a symbol of the female form and its sensuality;
this piece challenges the cultural narratives that have long shrouded female sexuality in shame and repression.
The sculpture is a bold confrontation of the stigmas that persist around female masturbation, a subject often relegated to secrecy and silence.
The open orange, ripe and exposed, embodies both vulnerability and liberation, its rich color and texture evoking themes of fertility, sensuality, and the raw essence of nature itself.
The hand, poised in an almost reverent grip, suggests both control and surrender - an interplay of power and self-exploration.
At its core, Lady Like dismantles the societal conditioning that deems female pleasure as something forbidden or shameful,
exposing the hypocrisy of a world that celebrates male desire while policing and suppressing its feminine counterpart.
The sculpture dares viewers to question:
Why is the act of self-discovery deemed unladylike?
Who dictates the boundaries of what is acceptable, and at what cost?
By bringing this conversation into a tangible, visual form, Lady Like becomes more than just an artwork - it is a rebellion, a reclamation, and an invitation for dialogue.
It urges us to reconsider long-standing narratives, to celebrate bodily autonomy, and to acknowledge the inherent right to pleasure without guilt or restraint.
PLAGUE
Plague is a striking representation of humanity’s impact on Earth, crafted from living and dead moss.
The thriving green sections symbolize life and resilience, while the decayed areas serve as a stark reminder of the destruction we cause.
As the moss suffocates the surface, the sculpture illustrates how human actions slowly drain the planet’s vitality.
Plague is both a warning and a reflection, urging us to recognize our role in the Earth’s decline before it’s too late.
ELLAS
ELLAS is a defiant act of self-representation and resistance, forged through the intimate imprint of body casting in alginate and plaster.
Created in collaboration with two fellow women artists, this sculpture stands as a collective self-portrait—raw, unfiltered, and unapologetic.
Three middle fingers rise in unison, a powerful symbol of defiance against a society that seeks to mold, silence, and confine women within its rigid expectations.
More than just a gesture, ELLAS embodies rebellion—against oppression, against the policing of female identity, against the centuries-old demands to be soft, submissive, and small.
Each casted form carries the weight of personal and collective histories, a testament to the strength found in solidarity.
It is a reclamation of agency, a refusal to conform, a battle cry in sculptural form.
Through this visceral expression, ELLAS does not ask for permission. It demands to be seen, to be felt, to be reckoned with.
It is a tribute to every woman who has ever been told to shrink herself, an unyielding statement that will not be ignored.
